Angie Eng is an intermedia artist who works in experimental video, conceptual art, and time-based media. Eng was born in San Francisco, California. She was trained as a painter (UC Santa Barbara) in the post-classical tradition. In 1993 she moved to New York City and soon discovered time-based arts. During this time, she became involved in the downtown electronic arts scene, where she experimented with video sculptures, interactive installation, and live video performance. She collaborated on numerous multimedia performance projects, including The Poool, a live video group she co-founded and co-directed with Nancy Meli Walker and Benton Bainbridge in 1996-1999. She was involved in the first wave of new media art/web-based art in the late ’90s with commissions from Turbulence (New Radio and Performing Arts) and the former Alternative Museum. Her experimentation with interactive installation began during her first solo show at Artists Space in 1997 to explore physical and virtual presence in line with Peter Campus and Vito Acconci. She does not limit herself to one medium nor genre but chooses the one that best fits her concepts ranging from nomadism, psychogeography, liminality, ecology, rituals, and synchronicity.

Her work has been performed and exhibited at established venues such as Whitney Museum at Philip Morris, Lincoln Center Video Festival, The Kitchen, New Museum of Contemporary Art, Rensselaer Polytechnic Institute, Eyebeam Art and Technology Center, Roulette Intermedium, Bronx Museum, Artists Space, Art in General, Anthology Film Archives, Video Forever, Experimental Intermedia, Le Cube, Maison Pop, CNES, and Cité de la Musique. Her videos have been included in digital art festivals in local and international venues in Cuba, France, Greece, Japan, China, Holland, Italy, Georgia, Germany, Former Yugoslavia, and Canada.

She has received over 50 grants, commissions, and residencies from reputable institutions and foundations such as New  Radio and Performing Arts, Harvestworks, Art In General, Lower Manhattan Cultural Council, New York State Council on the Arts, Jerome Foundation, Alternative Museum, Experimental TV Center Finishing Funds,  Foundation for Contemporary Arts, and the Boulder Arts Commission.

She has collaborated with composers, dancers, theatre, sound and video artists, including Ron Anderson (Molecules), Rhys Chatham, Shu Lea CheangAudrey Chen, Luke DuBois, Vincent Epplay, Yuko Fujiyama, Jon Giles, Andy Grayton, Jean-Philippe Gross, Celeste HastingsSofi Hémon, Jason Kao HwangSimon HostettlerJessica Higgins, Hoppy Kamiyama, Koosil-JaZach Layton, Okkyung Lee, David LintonJarryd Lowder, Shoko Nagai, Matthew Ostrowski, Jean Jacques Palix, Zeena Parkins, Liminal Projects, Kyoko Kitamura, David LintonThierry Madiot, Thomas MartinezGeoff Matters, Ikue Mori, Pauline Oliveros, Jane Scarpantoni, Peter Scherer, Kevin Shea (Talibam), David Simms (Jesus Lizards)Jim Staley, Satoshi Takeishi, Atau Tanaka, Yumiko TanakaKeiko Uenishi, Elisabeth Valletti, Vire Volte Theatre, Nancy Meli Walker, Sean Winters, and David Weinstein.

She has over 20 years of experience in art education and designing cultural arts programs. She is a European correspondent for AOA (Artist Organized Art) to support a critical dialogue between artists, art practice, and dissemination via public events. She has lived in San Francisco, New York City, Paris, and Ethiopia. In 2021 she obtained a Ph.D. in Kosmorganic aesthetics in the Intermedia arts, writing, and performance program at CU Boulder while spearheading a cultural community arts leadership organization, Creative Catalyzers. She is currently working on a book about enhancing community, creativity, and compassion in upper education classrooms and teaching at NYU.